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I am not really sure how to use this scale in practice as after doing the next exercise comparing colours I have come to the conclusion they appear to have a different temperature and appear differently on the canvas.I think that in expressionist or impressionist painting all tertiary or broken colours are made accidently and you see these colours when two or three complimentary colours are mixed.
Only in the end I started to look for a connection between the background and the tablecloth by using the same brush marks.
I think I acted accordingly to the instructions, because i concentrated on the colour accuracy of each object, but less attention on the bowl.
I understood that you have to concentrate on the lighting and when I look carefully how the light appears on each object, I especially saw many different colours are on the kettle.
The teacup and sugar bowl were already white in colour.
Exercise: Still life with flower For this exercise I set up a vase with flowers, and after doing some sketches I tried to paint still life with the flower. However, with the pink flower petals, I made it look very flat and not very 3-dimensional.
I probably made a mistake with my observation because I wanted to present all flowers in a real colour.It was not a very nice experience for me and my eyes to look at the bright complementary colours opposite to the spectrum.In my conclusion, this kind of colour mixing must come with some kinetic and geometrical connection.I should have added darker colours to the palette, but if I did I think it would look like a different flower.Exercise: Still life with natural objects For this exercise I used some tomatoes, apples, and cauliflower.I had a similar problem in the watercolour course, so I decided to paint some objects like a sofa, pillows, curtains and a table and using black line to highlight the geometrical forms.I first outlined the objects, then I filled it all with colour and re-did some black lines to make them stand out. After that, I did another exercise with flowers, and repeated that exercise with the still life of apples and flowers; the lines appear more naturally .After doing this exercise and finding the neutral grey it can be said that it looks different on a white background and different on a dark background.This was similar in the primary and secondary colour mixing where the identification of colours was dependant on the pigments in the paint I used, I only had a limited amount of colours so this made the exercise more difficult.If I close my eye, all of the complementary colours still flash in my eyes.This effect makes some kind of vibration, waving and different kind of emotions.