There are some problematic tropes and representations of women and queer people that arise in his work — all of which certainly bears teasing out and none of which will I be tackling in this essay.
tells the story of Shadow Moon and his entrance into the world of the gods and powers that dominate his country, both old and new. Wednesday, a conman in need of muscle, and, despite his reservations, he ends up accepting his new job.
Once behind the scenes, Shadow reveals Wednesday’s plan to both the old and new gods, convincing them to leave the battlefield. She asks him to let her die and he pulls the coin that has been keeping her revived from her neck. Upon his escape and return to his previous stature, Dream sets about fixing all that is wrong in both the Dreaming and the waking world.
Shadow spends the majority of the narrative searching for meaning and truth. Most of what I learned on the tree I’ve already forgotten,” he said. Given the sheer quantity of #13, “Men of Good Fortune,” Gaiman diverts from the narrative and timeline of the other issues to foray into Dream’s relationship with one person in particular. The man decides he is simply not interested in dying, which Dream finds intriguing.
Shortly thereafter, Shadow’s dead wife, Laura, rises from the grave and tries to reconcile with him.
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(She died having an affair with Shadow’s best friend.) Shadow follows Wednesday on his wild recruitment road trip, meeting stranger and stranger old gods—and learning the threat the new gods pose firsthand.Gaiman created an unforgettable tale of the forces that exist beyond life and death by weaving ancient mythology, folklore and fairy tales with his own distinct narrative vision.In PRELUDESNew York Times best-selling author Neil Gaiman's transcendent series SANDMAN is often hailed as the definitive Vertigo title and one of the finest achievements in graphic storytelling.However, as the two go through the course of events in their respective narratives, Shadow discovers his limited godhood and Dream finds himself more connected to humans.But, what does it mean if the meaning they find doesn’t really mean anything?You’ve seen what happens.” He tells Sandman about his mistakes and how he doesn’t think people ever change. Dream appears to him, appropriately adopting a more Bowie-esque appearance, and says, “I have always heard it was impolite to keep one’s friend waiting.” Being Endless, you might think Dream would not be interested in meaning or other human affairs, but this single issue provides an interesting window into Dream’s personality, ethos, and how he has changed due to his interaction with humans.As issues continue, Dream becomes more and more receptive to humanity, just as he was with the ageless man.At the end of the day, both narratives and characters explore meaning-making when nothing in the world makes much sense at all.Let’s be real here for a second: Gaiman is not perfect, and though I tend to adore his work, I do so with a certain selective lens.How on earth can we know or believe or do anything when we know that at any moment we can drop dead? Ultimately, I would argue, Gaiman posits that the creation of meaning is in telling the story.It is only when Shadow understands his position within his father’s machinations, or mythology, that he can break the god’s hold on himself and others.