Movie The Assignment

Movie The Assignment-19
5 But I did just that, Bo, I said that film itself is probably better than trailer. Blindspotting Click Here for Thoughts Adam's Top 10 - 20181. After all, he is suggesting that someone’s gender is defined by their interior more than their exterior; he just took a deliberately exploitative path to get there.

5 But I did just that, Bo, I said that film itself is probably better than trailer. Blindspotting Click Here for Thoughts Adam's Top 10 - 20181. After all, he is suggesting that someone’s gender is defined by their interior more than their exterior; he just took a deliberately exploitative path to get there.

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It’s tough to say if Hill did it all deliberately, yet it’s also equally tough to be bored by the results whether you like them or not.

Michelle Rodriguez stars as the amusingly and absurdly named Frank Kitchen, an assassin for hire with no conscience and little regard for life beyond its momentary pleasures.

"'The Assignment's' premise is bizarrely intriguing; unfortunately, it's also just one of many ingredients fumbled in a disappointing misfire from director Walter Hill," the critic aggregating site wrote for its "critics consensus." With 31 out of 42 reviews being declared "rotten," the movie is sitting not-so-pretty with just a 26 percent approval rating.

"The Assignment," formerly called "(Re)Assignment" when it premiered last fall at the Toronto International Film Festival, has been described by critics as "absolutely batshit insane," "incomprehensible" and an "embarrassment." Read 7 of the worst reviews below.

Rodriguez indeed plays a man initially, with full body prosthetics and a beard. Kitchen’s soon set up for a job that doesn’t exist and kidnapped. Rachel Kay (Weaver), a psychotic plastic surgeon who involuntarily turns Frank Kitchen into a women (yep, for realzies).

There’s only one response to something like that: revenge, ideally flavored by bullets n’ bloodshed.There are tough guy monologues and bursts of violence that feel like self-parody and perhaps they are. Either way Rodriguez certainly plays it straight, completely removed from the sequences with Shalhoub and Weaver winking their way through the absurdity.But there are also scenes that seem to get laughs that were never intended. When playing a man she looks right bug sounds so far off the mark it’s hard to take seriously.The script was protested before production and if/when the film is commercially released, that’ll happen again.Yet, Walter Hill is also indulging in a little “cake and eat it too” nose-thumbing antics here.There’s also a chance that Hill simply went off the rails with this one and delivered something so wildly lurid and insane that it’s a jaw-dropper of ill-conceived bad taste. That’s certainly an achievement of in and of itself.Either way, the flick is never boring for a second. It’s tough to say if Hill did it all deliberately, yet it’s also equally tough to be bored by the results whether you like them or not." The Guardian critic Benjamin Lee: "When films are not just bad but incompetent, incoherent and incomprehensible, you start to wonder whether an actual human being was in charge or if a group of monkeys was given free rein on a soundstage for a month and this is what they produced. No." He skirted the real question, though: Is it worth seeing?Such is the case with [re]Assignment (previously Tomboy), a B-movie in which the b stands for bad, a film made with such staggering idiocy that it deserves to be studied by future generations for just how and why it ever got made." Newark Star-Ledger critic Stephen Whitty: "Nor is it enough to excuse a pulpy picture that uses transgender issues for a cheap plot gimmick. To which the answer is a total, and decisive, not on your life." Detroit News critic Adam Graham: "It’s not just that the subject matter is unsavory, it’s that everything about 'The Assignment' (originally titled 'Re-Assignment') is generic and lazy.Much of the plot is dolled out through Weaver’s villainess being prodded by psychiatrist Tony Shalhoub in a mental institution. is a film that is at once self-aware and somewhat lost.Weaver’s performance is as coldly controlled as it is hysterically arch, toying with her persona and tossing in a little Dr. She’s the best part of the film and her character’s amusingly absurd obsession with classic literature leads her to delivering a few rants about the importance of separating stories from politics in a manner that feels like Hill preaching and partially apologizing. Hill uses plenty of the comic book frame scene transitions that he added to his director’s cut of The Warriors to both acknowledge the comic book roots of the film (he published a graphic novel before production) as well as insist that this is all fictitious pulp not meant to be take too seriously.

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