Essays On Music In The Byzantine World

Essays On Music In The Byzantine World-50
This is an account of Byzantine culture, from the foundation of the Empire in 330 to its downfall in 1453. It is a brief survey of the whole of Byzantium history from Constantine the Great to its end with the invasion of the Ottoman Turks in 1453. Important figures like Justinian and Heraclius get just one or two pages, and many interesting events are missing.The book is devoted to the history of the Byzantine Empire and to short essays on various aspects of its political, religious and cultural life. The layman wanting to know Byzantium political his J. Hussey's THE BYZANTINE WORLD first appeared in the Hutchinson University Library in 1957, with new material added to editions in 1961, 1967, and 1970.

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Surprisingly good survey of the more or less one thousand years of Byzantine history packed into fewer than two hundred pages of text. Two maps as end papers - the classic choices for a book of a certain age- Justinian's conquests and the territorial reorganisation of the later empire. It is a brief survey of the whole of Byzantium history from Constantine the Great to its end with the invasion of the Ottoman Turks in 1453. Important figures like Justinian and Heraclius get just one or two pages, and many interesting events are missing.

Hussey's THE BYZANTINE WORLD first appeared in the Hutchinson University Library in 1957, with new material added to editions in 1961, 1967, and 1970.

At the end, Constantinople was, basically, a country consisting of only the city itself.

Of course, covering a thousand years of history in 165 pages also means that the the book onl This is a fairly short book with only 165 pages of actual content.

All I can really say is that I wanted more, much more.

This is a fairly short book with only 165 pages of actual content.In spite of its biases and its meagre size, however, Hussey's history is worth reading for anyone eager to learn more about Byzantium, and copies are still available economically.I came to this book as a lover of Byzantine art, hoping to learn more about the culture which made those brilliant mosaics, incredible churches, exquisite enamels, and unbelievable metalwork.Furthermore, grounding the Orthodox Church in Hellenism developed a coping mechanism for later Latin and Ottoman aggression and conquest.Two other essays focus on the fall of Constantinople.For example, the first essay in this volume presents two compelling examples of how the Byzantine past was appropriated and manipulated to serve modern- Greek nationalistic narratives.John Burke argues convincingly that Byzantium was equated to the Greek language and Orthodox faith.Helen Saradi inadvertently picks up this point as she demonstrates how the people of Byzantium identified politically as Romans and culturally as Hellenes.As descendants of ancient Greeks and preservers of the Greek literary traditions, the Byzantines integrated ancient philosophy and Christianity into a cohesive Hellenic cultural model based on race, language, and education.Probably this would not now be the recommended starting place, but it is what was in my collection, an artifact of my history-loving grandmother's.The brevity of this book--a thousand years in 80 pages--makes its history extremely fast-paced. Some of the intere I came to this book as a lover of Byzantine art, hoping to learn more about the culture which made those brilliant mosaics, incredible churches, exquisite enamels, and unbelievable metalwork.

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