Drowning Girl Roy Lichtenstein Essay

Drowning Girl Roy Lichtenstein Essay-30
Lichtenstein often portrayed women as concerned with love and marriage and in “Reverie” the woman seems to be daydreaming about something, maybe about love.Catherine Spencer does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

Lichtenstein often portrayed women as concerned with love and marriage and in “Reverie” the woman seems to be daydreaming about something, maybe about love.

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In one of Roy Lichtenstein’s first paintings to use graphics taken directly from comic books, Mickey Mouse and Donald Duck are on a wooden jetty.

Donald Duck raises his fishing rod and, feeling a tug, shouts out: “Look Mickey, I’ve hooked a big one!!

This was disrupted by World War II, in which he served in the army in Europe.

He then returned to university on the GI Bill, which funded ex-servicemen and women through education.

“Reverie” references to one of the most popular song in America, “Stardust”, through the lyrics used in the artwork.

The artwork is of a headshot of a blonde woman staring off into the distance, with a speech bubble with music notes and lyrics saying “the melody haunts my reverie”.Lichtenstein was a fan of jazz music so he decided to make an painting based on the popular jazz song.It is one of the most recorded pop tune in history with over a thousand versions.His paintings are alive to contemporary obsessions with youth and beauty, the tyranny of consumer objects, and the intense emotional drama of advertising and the mass media. (1963), for example, Lichtenstein revealed the tensions and militarism of the post-war period and the Cold War.He used an image gleaned from the 1950s DC comic series All American Men of War to show one plane launching a missile at another, immolating the enemy craft in a ball of flame.” Donald doesn’t realise that the fishhook – much to Mickey’s amusement – is caught on his own tail.The image, entitled Look Mickey (1961), is bright, eye-catching and entertaining – but also playfully subversive.But now his paintings began to draw on the bold, arresting designs and narrative drama of comic books, featuring the iconic Ben-day dots that comic printers used for cheap colour shading.Lichtenstein’s work exemplifies Pop Art’s rich and complex relationship with consumer culture and social change during the febrile decade of the 1960s.Lichtenstein’s decision to appropriate a scenario from a comic book marked a serious challenge to the Abstract Expressionism of artists like Jackson Pollock, which had dominated American art since World War II.Lichtenstein was in the vanguard of the Pop Art phenomenon, which was fascinated with industrial processes and mass consumerism.


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