Crime And Punishment Criticism Essay

Crime And Punishment Criticism Essay-73
In contrast, the physical beauty of the character contrasts significantly with the ugliness of the crime.Ultimately, Raskolnikov will emerge as a dual character, fluctuating between two extremes.Raskolnikov tells her he has something else to pawn, and they haggle over the price, but he has to accept her offer because "he had nowhere else to turn." As he leaves, he tells her that he has something more valuable to pawn and he will bring it later. Analysis In any novel as great as Crime and Punishment, the details of the early or introductory chapters will become central to the interpretation of the entire novel.

In contrast, the physical beauty of the character contrasts significantly with the ugliness of the crime.Ultimately, Raskolnikov will emerge as a dual character, fluctuating between two extremes.Raskolnikov tells her he has something else to pawn, and they haggle over the price, but he has to accept her offer because "he had nowhere else to turn." As he leaves, he tells her that he has something more valuable to pawn and he will bring it later. Analysis In any novel as great as Crime and Punishment, the details of the early or introductory chapters will become central to the interpretation of the entire novel.

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Actions in the novel that seem to be contradictory are a result of Raskolnikov's fluctuation between these two extremes of his personality; therefore, the first part of the novel deals with a crime committed by this young intellectual.

The crime was a result of a theory he conceived about the nature of man's abilities; that is, some have abilities which make them extraordinary while other possess no abilities.

To do this, Dostoevsky opens with the crime, which is handled rather quickly so as to get to the punishment. It is the result of having cut himself off from authority, from love, and from mankind.

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Prior to this novel, Dostoevsky had used characters whose personalities were dual ones.

However, it is not until this novel that he exposes the reader to a full study of the split personality.And in the Epilogue when Raskolnikov is in prison in Siberia, he feels isolated and estranged from his fellow prisoners: ". Throughout the novel he will begin a conversation with an individual and suddenly without any reason, he will leave and isolate himself further.This first chapter also emphasizes his extreme poverty and his small, cramped apartment.It was this intellectual aspect of his character that causes him to conceive and execute his crime.He wants to see if he had the daring to transcend conscience.His punishment comes about as a result of the transcendence of conscience.Therefore, one aspect of his character is a cold, inhumane, detached intellectuality which emphasizes the individual power and self-will.Even though he was a strikingly handsome young man, he dresses so wretchedly in rags that no one would notice his secretive behavior.It was not far to the pawnbroker's house — "exactly seven hundred and thirty" paces.The plot of the novel presents a double conflict, one external and one internal: the one conflict between the estranged individual and his hostile universe, the other a clash between an isolated soul and his ethical or aesthetic consciousness.Since the plot is a double conflict, the first general problem is to understand Raskolnikov's dual personality. In its broadest view, Raskolnikov fluctuates between the ideas of complete self-will and power, and extreme meekness and self-submissiveness.

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